Posts Tagged ‘Construction of A Guitar’
The Construction of a Guitar (part 2)
To begin building a quality, hand-craftsmanship guitar, you must first choose the timber it will be constructed from. Then essay each piece and make assessments on its visible and tonal qualities. Much of the timber to be utilized needs to be hand selected including Spruce soundboards which are usually from Europe.
Because each piece of timber is different, modifications must be made of each part of the instrument as the structure progresses in order for the completed product to have the optimal volume and tone.
Such a quality Guitar could take more than 200 hours to construct and of course only a few guitars under construction at one time are possible in any workshop. This grants every guitar an extremely high level of attention to detail and a look of traditional hand-craftsmanship.
Each part of a completed guitar, no matter how small, plays a role in the sound and look of the instrument. It is for this reason that elaborated consideration must be payed to each stage of the construction, guaranteeing that the completed guitar is at its maximum potential. Each part of each instrument is commonly produced by hand, mostly employing hand tools.
The bracing and tuning of soundboards is one of the most significant stages of the construction of a guitar. The completed soundboard is the part of the instrument that absorbs the vibrations from the plucked strings to create the sound of the guitar. Therefore, it is very crucial for close attention to the construction of each soundboard, to ensure that it gives the guitar the particular sound trying to achieve.
Using traditional French polish on the soundboard usually completes the guitar. This is a highly thin coating of shellac, which allows the soundboard to vibrate without resistance. The back, sides and neck are completed by using a very thin lacquer; the lacquer gives these areas more protection from playing wear while having no detectable effect on the sound of the instrument.
The guitar now is set aside to cure and then hand polished usually to a high gloss. The whole finishing process takes about a month and about 35-40 hours of labor to complete.
Construction of a Guitar
MUSICAL INSTRUMENTS: Expression of Love for Music.
The Construction of A Guitar (part 1)
Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being a construction of a musical instrument having “a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with in curved sides”. Instruments similar to the guitar have been popular for at least 5,000 years.
Guitar construction can fulfill the needs of both left and right-handed players. Traditionally, the dominate hand is assigned the undertaking of plucking or strumming the strings. For the majority of people this implies using the right hand. This is because musical expression (dynamics, tonal expression, color, etc.) is for the most part dictated by the plucking hand, while the fretting hand is assigned the lesser mechanical task of depressing and gripping the strings.
This is similar to the convention of the violin family of musical instruments where the right hand controls the bow. Left-handed players broadly speaking choose a left-handed instrument, although some play in a standard right-handed fashion, others play a standard right-handed guitar reversed, and still others (for example Jimi Hendrix) play a right-handed guitar strung up in reverse.
This last guitar constraction differs from a true left-handed guitar in that the saddle is generally angled in such a way that the bass strings are somewhat longer than the treble strings to better intonation. Reversing the strings consequently reverses the relative orientation of the saddle (negatively affecting intonation), although in Hendrix’ case this is considered to have been an significant element in his unique sound.
Construction of A Guitar
MUSICAL INSTRUMENTS: Expression of Love for Music.















